Below, a selection of entries from the Carroll County Arts Council's PEEPShow. Now in its 17th year, it is a popular fundraiser. Expect long lines, free admission (though you are encouraged to buy voting tokens so you can vote for your favorites), free stickers, and great fun. So. Many. Marshmallows.
Monday, March 25, 2024
Saturday, March 23, 2024
Paintings Made in Baltimore
More of the art backlog from the last few years. These paintings were created after I moved to Baltimore. I'm sure there are more, but these are the ones I could easily extract from the stack in the art closet. All are acrylic on gessoed heavy paper.
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| Screenwriter Anita Loos |
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| Kitchen Dancing |
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| Water Witch |
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| Doris |
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| Violets |
Wednesday, March 20, 2024
2022 Furniture Resurrection Projects
The home I bought in 2022 was an estate sale, and came with So Much Stuff, much of which has been useful. I have tools and nails for almost every occasion and didn't need to buy, for instance, a new lawn mower. Some less than-beautiful-items were also left behind, many of which were tossed (the nasty white shag rug went away fast), some sold (several small tables and two southwestern chairs that were stashed in the attic), and some were restored. Below are before, during and after shots of three such repairs.
Potter's End Table
In the basement, I found a simple wood table, covered in dust and clay, and some knife marks, as it was likely used by a potter who at one point probably used the basement as a studio. I still have a 1950s era kiln in the basement, and may always, since it is enormous and heavy. Since the table (like most of the dated, but solid furniture left behind) was made of all wood, I decided to refinish it. Twas my first refinishing attempt in quite some time.
Before:
After:
Tuesday, March 19, 2024
Sketchbook
So on this blog, it looks like I haven't been making any art for a long, long time.
In reality, I just haven't been posting.
Evidence: a peek into my lumpy and sometimes awful sketchbook, largely centered on trying to draw people that look like actual people.
Progress is uneven (some are strange, and some I clearly abandoned before they got very far) but there is progress, so I'll take it. Drawing is never going to be a strength, but I find it increasingly relaxing. Paying attention to shape and light and detail is never a waste.
Monday, December 13, 2021
Katherine, Women in Shakespeare series
Once again, I've been neglectful in posting, so to catch up, here is "Katherine," another in the Women in Shakespeare series. I painted her sometime in October. She is, ahem, not much like the movie star photo reference, but she has some personality that I enjoy. As always, any painting is progress forward.
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| Katherine acrylic on paper |
Saturday, May 1, 2021
Hopper Homage
This painting started out as a quick small sketch copying Edward Hopper's Hotel Room, but when I moved on to paint a larger, simplified version, I added my own spin, inserting the window and checkered floor and shifting to a cooler toned color scheme. It's retains Hopper's sense of isolation but has become instead more institutional, perhaps a hospital or a dorm room. Freedom exists on the other side of that window.
| The Exeter Experience acrylic on paper 17 1/2" x 23" |
Monday, April 19, 2021
St. Catherine with a Toothache
This painting was an attempt to copy a section of Caravaggio's painting Saint Catherine of Alexandria. Sadly, in my version, she looks like she has a toothache, which is not exactly the martyring for which she is renowned. If she indeed existed (historians debate this point, and if so, who she might be based on), she was likely beheaded in the end, as were many of the people she converted. Caravaggio, meanwhile, caused a stir by choosing a model who was a prostitute to portray the virgin saint.
| St. Catherine acrylic on paper 17 1/2" x 23" |
Friday, April 16, 2021
No Longer a Self Portrait
A while back, I attempted a self-portrait sketch which ended up not particularly appealing on multiple levels. Sometime in 2020, I ran across it again and opted to paint it and modify her into someone else. She came out a wee bit odd looking too, but I like that the blue background that somehow makes her feel a bit old fashioned.
Thursday, April 15, 2021
Crafty Easter Bunny
Thursday, April 8, 2021
Assortment of 2020 Abstracts
Abstracts painted in 2020 (who knows when? 2020 was a blur):
| Abstract - Map Reading acrylic on paper 15" x 22" |
| Abstract - Chaotic Universe acrylic on paper 17 1/2" x 23" |
| Abstract - Compass Bloom acrylic on paper 17 1/2" x 23" |
| Abstract - Seasonal acrylic on paper 17 1/2" x 23" |
| Abstract - Blue acrylic on paper 17 1/2" x 23" |
| Abstract - Trapped Dragonfly acrylic on paper 17 1/2" x 23" |
Wednesday, April 7, 2021
Beatrice & Lavinia
I've been remiss in posting artwork (or anything else). And so, without further ado, created sometime in 2020, two more paintings in the Women in Shakespeare occasional series: Beatrice and Lavinia.
| Beatrice acrylic on paper 17 1/2" x 23" |
| Lavinia acrylic on paper 17 1/2" x 23" |
Monday, September 28, 2020
Miranda
It's only taken me a four years to get back to the Shakespeare series - and I'm not sure this one is done. But it's closer anyway. Meet Miranda from The Tempest. Composition inspired by John Waterhouse's painting.
| Miranda, acrylic on paper, 16" x 27" |
Sunday, August 23, 2020
New Pandemic Hobby
Monday, December 9, 2019
Painting in Arizona
| Cochise, AZ acrylic on canvas board 11 x 14 |
| Big Fish, Little Fish acrylic on canvas board 11 x 14 |
Thursday, January 3, 2019
First Flamingo & New Abstract
Meanwhile, I also amused myself with some abstract fun.

























