Friday, November 29, 2013

Bea’s River

Found the following snippet floating in an old file, so played around with it today.  It's a creative response to a The Cowboy Junkies song, Bea's Song (River Song Trilogy: Part ll). Lyrics to the song follow the story snippet. 

For those that were following my recent attempt at re-booting writing, I did finish a draft of the story for the winning story start.  I'll post it here in a bit.  

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Bea’s River

I stood by that river in Colorado for a good long while, listening to the rhythmic burble of it: up and over, up and over, up and over the rocks, on the rocks, on the rocks, up and over the rocks. A bird of prey circled overhead.  When he caught the highest loft and disappeared over the scrawny pines, the music ended and I leaned over to untie my hiking boots.

An old Peanuts cartoon has Charlie Brown telling his sister before a big game that he always puts his right sock and shoe on first, and then his left sock and shoe, for luck. His sister pauses for a minute, and then asks, “What kind of luck?” The last panel shows shoeless Charlie Brown staring at his feet.

My first barefoot step into the water (up and over, cold! cold!) forced an inhale, but as my reddening feet settled into the coarse sand at the shore, the shock fell into numb.

Behind me, John swore under his wheezy breath, closing the car door not quite hard enough, so it clicked only once, not twice to latch.

“My keys, you have them?”

I wiggled my toes. They responded, but as from a distance. I felt the gritty texture of sand, but nothing else. Up and over. Up and over. The rocks. The rocks. On the rocks.

I held out my arm and dangled the keys from my hand, rattling them maraca-like.

“Why didn’t you say so?” The clawing crunch of his footsteps approached steadily until he slid slightly at the two-foot drop off near the river’s edge, the stumble marring the beat.

“You’ll turn blue,”

“Color me Neptune,” I said, and turned from the waist to toss him the keys. They flew up and over light slanting through trees, skipping rope with sunbeams.

“You look at the moon and the stars more often then you look into my eyes,” he said

He was right, of course, but I didn't want the conversation or the life he wanted to have. And so I said nothing, cradling our illusions in simple rhythms.


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Bea's Song (River Song Trilogy: Part ll)
Songwriter: TIMMINS, MICHAEL EDWARD.  
Speed river at my feet running low and flat
I'm sitting here burning daylight,
Thinking about the past
And that distance out there
Where the earth meets the sky
The slightest move and this river mud
Pulls me further down
John's at my side, but he's sitting on firmer ground

John says I look at the moon and the stars
These days more often than I look into his eyes
And I can't disagree so I don't say nothing
I just stare on past his face at venus rising,
Like a shining speck of hope hanging over the horizon

With each passing year that I sit here
That horizon seems to inch just that much nearer
And all that appears on it seems as clear as spit
But if there's one thing in my life
That these years have taught
It's that you can always see it coming
But you can never stop it

Speed river at my feet running low and flat
I'm sitting here burning daylight,
Thinking about the past
And that distance out there
Where the earth meets the sky
The slightest move and this river mud
Pulls me further down
John's at my side,
But he's not noticing that I'm drowning
The slightest move and this river mud
Pulls me further down
John's at my side,
But he's not noticing that I'm drowning


Friday, November 22, 2013

Catch Up

A month evaporated quickly, thanks in part to a new part-time job at an art museum.

In some ways, working at a museum is like working anywhere else.  The server is sometimes slow, the new database quirky, free food brings everyone out to the reception desk, and parking can be tough some days.

And in some ways, working at a museum is totally different. For instance, I can take a 5 minute break and run downstairs to stare at a Georgia O'Keefe painting if I feel like it.  I get to peek into rooms and see the exhibits going up.

Plus, the art by the copy machine beats the heck out of that at any other office I've worked: an enormous Impressionist oil painting of rocking chairs, complete with fancy gold frame.

Unable to get a decent photo of it (light streaming through the window left it dark and sickly yellow) I had a little fun photo editing.

In my head, the copier station now looks like this:


Disco pink photocopying!  Get your glitter on, and I'll see you by the rocking chairs.

In other news, I acquired a bag full of golf tees from a museum fundraiser that I'm trying to turn into an art project.  So far, no substantial progress.  Suggestions welcome.